Body Conscious



ARCN03 was released in about October 2000. Titled "Body Conscious", it is one of the releases from my back catalogue that I'm most fond of. It follows on neatly from ARCN02, "Storyteller", and may be the best example of the dark, disorientating techno that the ARC(ANE) label was created to put out.

The first track was recorded in September 1997. "Shiver" is largely sample based. Short vocal snippets and a sampled stab filter up and down, perhaps under my control or that of a random LFO. Most of the sounds, including the sampled and reversed hi-hat, are filtered through the Lexicon Vortex (pdf), a wacky rack mount effects processor which I think is great, and which played a crucial part in the formation of my "sound", if such a thing ever existed. Once I found a setting I was happy with (a stereo delay with a bit of modulation) that patch was saved, and I used the same effect to one degree or another on almost every track I subsequently recorded.

"Partly Due To", recorded in January 1999, is a murky, uneasy sounding track, with stuttering and echoing vocal sounds. I always liked the idea of dancers hearing voices in the darkness of a club, and never quite figuring out where they were coming from or what they were saying. This track is a particularly unsettling example of that idea, but having made that point I don't remember ever hearing this track played out by anyone, including myself.


"Through You We" is probably the most easily "playable" track on the record from a DJ perspective. The kick and shaker sounds provide a steady rhythm over which two or three spooky synth patterns cycle up and down in tone and timbre. Simple but effective, this was nice and easy to play out yet dark and disorientating enough to get some interesting reactions (seeing people fall over was usually the aim). I seem to have lost a master CD containing the original recording of this and other tracks, but it must have been recorded in either 1999 or 2000.

The last track is titled "Start The End", recorded in April 1999. This kicks off with a deep pulse and some sticky sounding high frequency snaps. The main feature of this track is a dramatic sounding looped sample which fades up slowly and bends in pitch here and there to create an uneasy feeling. I've no memory of where the sample came from. Although rhythm is provided by the sticky sounds and hi-hats, the kick drum doesn't appear until the final quarter of the track, shortly before the whole thing fades out.

Files are in 320kbps mp3 and lossless FLAC formats. Both are compressed from the same WAV files which in turn are taken from original digital recordings. I’m willing to provide WAV files to individuals who specifically request them and for whom FLAC isn’t sufficient. If requesting WAV files, please let me know which tracks you want.


See further comments on the label art concept and track titles here.


Please get in touch if you have any problems downloading, unzipping, or playing the files.

Walking Wounded



To start this post: apologies to anyone who happens to have been waiting for this series of digital releases to continue. I had intended for these to come out weekly. If I had managed that, they would all have been completed already. I'm not entirely sure what has got in the way of that, except "life" and its various distractions.

So, on with the show. The next in the series was originally released on ARC as ARC03 in September 2000, and is titled "Walking Wounded", a phrase I heard in a news report. I liked the way the two words went together.

The track kicks off with "Is Not Beauty", which is an abstract piece recorded in November 1998. I wouldn't call this a noise track, but it does have some noise elements in it (although in recent years I've listened to a fair bit of noise, back then I don't think I was even aware that such a genre of music existed). I think that it's my favourite track on the release.

As is the case with ARC02 ("This Weak Flesh") I think the techno tracks on this release are not my best and have perhaps dated more than others. The second track, "Ayaar ver.2", is in that category. As the title suggests, it's the second version of a previously recorded track. Or perhaps it just used the same sample, I don't remember. With the percussion and vocal samples, it has a vibe influenced by the prevalence of those sounds in techno at the time (it was recorded in May 2000). In retrospect I'd prefer to have kept that sort of thing off of my ARCart releases, keeping it for the MIST material that came out on Cosmic Records. This is the track I like least on the record. Typically though, it was the most popular track with other people.

"Circular Heaven ver.2" is another track made from significant parts of another, earlier track. The original version was recorded some time between 1996-1998. This version was made a day or two before the record was cut, and I remember feeling a sense of urgency about getting a track finished that would fit onto the record. ARCart releases were compiled of tracks that were made across quite a few years. The age didn't matter, it was more important that the tracks seemed good enough and that they fit together to create a cohesive release. This recording allowed me to take something that I really liked from a track which wasn't quite up to standard, and beef it up into something simpler, with more impact. I love the vocal sample; It comes from a pop song, reversed and put through some chorus, or flange, or both.

The final track, "Enclosed In The", was recorded in November 1998. It appears immediately before "Is Not Beauty" on the original DAT, so may have been recorded any time from a few minutes to a few weeks prior to that track. When I recorded a retrospective mix of my own tracks in 2008, I came across this track with some confusion, as I barely remembered it at all. I think it's made up of some drum machine and synth loops which I sampled and then looped, adding some snare and hi-hat from the TR-606, and an additional sample put through filters quite randomly without any manual control after the breakdown, which I think contains an odd number of beats.


Files are in 320kbps mp3 and lossless FLAC formats. Both are compressed from the same WAV files which in turn are taken from original digital recordings. I’m willing to provide WAV files to individuals who specifically request them and for whom FLAC isn’t sufficient. If requesting WAV files, please let me know which tracks you want.


See further comments on the label art concept and track titles here.

Please get in touch if you have any problems downloading, unzipping, or playing the files.